Monday, April 21, 2014

"Looking Back"

“Looking Back”

Make Films Not WarBrandon Griggs4/21/2014


Arab revolutions occurred back in 2011, we have seen a lot of turmoil come from these events. In some regions we have learned that rape, pillaging and the deaths of many innocents was a common theme within these regions. I have written only a handful of papers and briefly discussed a lot of issues that have been happening, in “Make Films Not War” we have covered issues with other areas of the Middle East. A lot of our conversations talked about the Israeli, Palestine conflicts and taking the facts that we research upon and reflecting those back onto the matter at hand. A big question asked there is “who is right in this situation”, a lot of students and professionals alike still don’t feel that they really have the answer to this. I have also written, discussed and at times argued about the Arab Revolutions; their meanings and what I and others think the outcomes are going to be. A common, boring, and trending theme is one where many people do not flesh out their true feelings towards these issues. I can sense that some people (classmates, experts etc.) have a vivid idea on what they believe the end result of these revolutions are going to be. There are people who have a passionate stance on other topics in the Middle East like the Israeli, Palestine conflicts, among many other varying issues. Many hold back, restrain themselves, they fear that they will step on someones toes and offend them in some shape or form. Toes are going to get stepped on, feelings will be hurt but I want to know what people really think on these issues. Your opinion could be flat out wrong, or maybe something interesting that hasn't been said yet but it’s up to you to say it. Restraining our thoughts is only holding us back. Roughly three years after the revolution, here in the year of 2014, we are still unsure of what to make of it all, that is in part due to people restraining their thoughts.
This class has taught me a lot. Stereotypes of Middle Easterners and how they all are the strict religious type, all suicide bombers are heartless murdering animals, how petty I feel the Israeli, Palestine conflicts truly are, and how with these Arab revolutions there is always two sides to the same coin. The same outcome won’t be witnessed everywhere, humans are unpredictable and that won’t change anytime soon (at least as far as I can see). This class and my other Arab class titled “Arab Spring” have both worked in conjunction with each other to help illuminate and shape my thoughts on what is happening in the Middle East. In my final paper/blog posting that I did for my “Arab Spring” class I primarily focused on Arab uprisings in Tunisia, Egypt and Libya. Common themes that developed in this paper were my coin theory (a simple one I know), the impossible was done in all these nations and the impossible is still being challenged, day in and day out. Quite honestly I just get angry with a lot of these issues.
Libyan revolutions had such a dire contrast to say that of Tunisia. Libya flattened cities, mass bled shed occurred, raping, pillaging, and the brutal murders of many innocents in this conflict. These are just a few of the themes and there are many others that I am not aware of. My coin theme is the idea that with great success there will also be great failure that occurs and the examples lie with many of the Arab Uprisings. Many young Arabs started out with grand ideas, simply grand ideas of what they wanted their country to do for them. Though not every nation that had a revolution got what they so desperately envisioned. Just with the three countries that I researched, there were varying degrees of success.
Libya also essentially had a public execution of Mubarak using the technology in their hands. That is something that I strongly stand against, and it shouldn't have happened. If the people wanted change then they should have tried him and shown that they are better than that of savage tactics used commonly by the dictators of their region.
Egypt is a great example of the highest standards for what they envisioned to happen after the dusts of revolt had settled. What they came out with was far from what they had fought for, they are not out of the fight by any means but seeing where they currently are is unfortunate to see. The biggest theme to understand with Egypt is there new found confidence in the people, rather than fear of the government that “rules” them. I quote that because it is a dead ideal (unfortunate for their government), a new ideal has arisen, an ideal that the government is supposed to work for its people and that the government should be afraid of its people. These are brand new thoughts that many didn’t feel could be spoken out loud.

I come out of this class a lot more confident in having an opinion on Middle Eastern affairs. I understand that I am literally just scratching the surface to these issues but I have to start somewhere. In most papers I have written with Middle Eastern context I leave it open ended with a positive note to send it off. While I still feel that most of the Arab Revolutions are good there is admittedly, unavoidably, negative repercussions to them. Through this class I understand the Middle East just a little bit better, but its miles ahead of where I was at the start of this semester. There is a lot of work that has got to be done in the Middle East, work in relations with other countries, internal issues, working on a functioning constitution (in some nations) and in some nations there is still war happening. I feel that the end result is ultimately going to be positive and for the better.

Technology, Youth & The Influences They Hold

Technology, Youth & The Influences They HoldBrandon Griggs



In 2011 the young generations of Tunisia, Egypt and Libya have used their passions in conjunction with the technology at their disposal, to craft a better future with varied results. The youths of these nations were sick and tired of how things worked. Corruption, bribery and money embezzlement were common themes. In addition to the same public figures in power for decades, many felt that these politicians had overstayed their welcome. The youths in conjunction with a large percentage of the general population wanted change, something they had only seen on their screens. They saw technology for something more than what most saw it as, they envisioned opportunity to bring down oppression and reinvent the nation they loved. They wanted something they had only heard of, they wanted freedom, respect, their government to work for them instead of against them. With these ideals in 2011 the Arab youths felt that the possibility of change was closer than ever before.

Tunisia was one of the first to rebel against their regime and those who stand for that regime. In December 17th, 2010 a Tunisian man by the name of Muhammad Bouazizi set himself a flame in front of a government building in the small town of Sidi Bouzid. Muhammad Bouazizi had been publicly humiliated by a police officer and his belongings taken from him, when he went to voice out his complaints and how outrageous they were to him no one would lend an ear to him. Someone had videotaped the scene and the whole event exploded almost overnight, Tunisians far and wide were outraged by what had happened and looked to their government asking why. No one ever gave a real answer. This was the beginning. The beginning to Tunisian revolutions all across the nation. Protests ensued thereafter and they made their way to the capital ten days later, ten days. Technology more than did its share to help Tunisia’s revolution along the way, through social media networks like Facebook, Twitter and YouTube Tunisians were able to spread something so outraging all across not just their nation but around the world. Social media wasn’t the only form of technology that was utilized to its fullest extent, blogs, their postings and websites in general were also all around yelling out and giving voice to a generation of youths more than upset with their regime and its actions. Tunisia is an area saturated with many youths, as much of the Arab world is. Tunisia’s youth mostly felt idle, their government officials called all the shots and this happened for many centuries, “Strongmen ruling for long stretches of time have controlled Tunisia and Egypt for well over half a century.” (Gelvin, 37) the power never really moved out of one family. Many didn’t have jobs and many struggled to feed their families, they felt that their governments were not properly engaging these issues but had had a long time to do so. The internet in general played a huge role in all the Arab worlds, however the internet would not be possible without satellite technology. Many had cellphones and could communicate via wireless technology with each other and this enabled the ease of uploading a simple video clip to external sites. One video was that of Muhammad Bouazizi and his fateful decision that played a huge role in the chain revolutions that sprung thereafter.


Today in Tunisia things are looking better after the revolution. Though the revolution may be over it is extremely hard to tell where Tunisia truly stands. “... storming of the Bastille to the coronation of Napoleon as emperor, we are dealing with events that unfolded over the course of an entire decade. Only a fraction of that time has passed since the Tunisian street vendor Muhammad Bouazizi set himself on fire, and, as of this writing, events in the Arab world are still unfolding at a remarkable speed.” (Gelvin, 157) As of today Tunisia is the most promising Arab nation, and they have made great strides in further betterment of themselves as well as the Tunisia they know. Lin Noueihed and Alex Warren make a great point in their writings on the Tunisian uprisings, its something that no other country did in their uprisings. “... of all the uprisings in 2011, Tunisia’s was the most organic.” (Noueihed - Warren, 94) Meaning that their revolution was all internal and to the larger extent still is today. Tunisia had hundreds of parties that wanted to be apart of the new systems, not all actually made it in but that is apart of elections. All of Tunisia’s major players are not external but rather internal and “... only time will tell ...” (Noueihed - Warren, 95) Technology has and still is playing a huge role in the outcomes of the revolution; everyone is watching and waiting intently to see where the youth in conjunction with technology will lead to now.

A theme that has occurred in Egypt and Tunisia is that of one person’s life ending in extreme violence. In Egypt however Khaled Said did not take his own life by any means, rather he was brutally beaten to death by two Egyptian police officers. “It is widely believed that they targeted him because he had posted on the web a video of the two policemen splitting up cash and drugs they had confiscated in a drug deal.” (Gelvin, 49) Regardless of what this man was accused of these officers of “justice” had no right to beat someone so brutally and even push it to death. Even so this tragic event happened and some witnesses had been around to see what had happened, one of which took a photo of Khaled Said’s face and put it up on the interweb. From there is cycled around gaining more and more attention from Egypt as a whole and then started making headway throughout the rest of the world. All the while Khaled Said’s uncle was trying to make a case but prosecutors refused to take any part in this. Khaled Said’s uncle kept the issue pressing, eventually folks like Muhamma El-Baradei and Wael Ghonim got wind of what had happened and decided to act out against the regime and their outrageous behavior. The facebook page that Wael Ghonim had started titled “We are all Khaled Said” was a place where Egyptians would voice out their opinions of the regime, what this group should/could do and why things were the way they were. This page was a major hub for which Egyptians could go to and have a sense of freedom, to be able to speak out against those who had done many terrible things to the people that they were meant to protect. This facebook page had over 120,000 people following it, that number was generated in mere weeks after its creation; the page had almost 500,000 following it around the time of the uprising of Egypt. Sadly Khaled Said was not the first to be the victim of these atrocities of human rights violations and sadly yet again he would not be the last. 

Egypt’s revolution was influenced by Tunisia in parts and it has been said that the youths of Egypt were inspired by what Tunisia had accomplished; Egypt wanted change as well. Without access to satellite technology that would in turn provide internet to the mass public none of what Egypt did would be possible. It is also possible that Egypt may have never had their uprising if they did not see what had happened in Tunisia, not just the tragic event of Muhammad Bouazizi but the events that closely followed after. Satellite and the internet are not the only players on the table here, cellphones were a key point in the ignition and the spread of many events occurring all across Egypt. 


While significant progress of Egypt after the initial revolution has been admittedly slow there is much hope and confidence within the country. It is not particularly seen within the actual government structures but rather it is seen with the mass public of Egypt, the people are less afraid to voice their thoughts aloud. “... the deeper changes that have taken place are not, so far, within the regime itself but within Egyptian society. Egyptians, once too apathetic to vote, have embraced democracy.” (Noueihed - Warren, 134) Most results are not going to be immediate but rather more long-term, that doesn’t mean that we haven’t seen some short term positives here. As I previously stated Egypt’s moral is getting better and both the youths and the older generation have a much better grasp of what they want to see their government be, an ideal has been risen and it has come into light for all of Egypt to see. How long or when this realization will come full circle? Well that is a hard question to answer but if things progress similarly to how they are currently this could be a possibility in the not-so-far future. “What they did have -- what they do have -- is this strange perseverance to continue speaking truth to power.” (Hellyer, 1) 

“... Libya has achieved the most far-reaching change of any country in the Arab Spring. But it is also the country that carries the highest risk of losing those gains and descending into violent instability.” (Noueihed - Warren, 166) Technology and the youth have had a positive context to them up until now when we go into detail on Libya and how it took Muammar Gaddafi out of power in the violent manner that it did. Thousands upon thousands of people had died over many years in Libya, tragedy after tragedy seemed to happen and Muammar Gaddafi was largely at fault, his isolationist ideals had been suffocating the youths of Libya for far too long. It all come back to haunt him far quicker than anyone could have predicted but then again revolution by its nature is a hard thing to predict. 


Libya had followed suit with Tunisia and Egypt in their revolutions and an organization titled “National Conference for the Libyan Opposition” directed a call out on social media. They wanted their fellow Libyans to take part in an event they termed as the “Day of Rage”, their intent was to group up as a whole community and voice their criticisms on politicians and the current economic conditions. It however turned into something much more violent, and had a much darker theme that lingered with it until its inevitable end. 

“The first image was posted online around lunchtime on 20 October. Taken at knee-height, it showed the top half of a man with bedraggled hair, drenched in blood, being dragged along by his shoulder. More photos followed, and then the inevitable videos, recorded shakily on mobile phones, were uploaded. Some showed Gaddafi mumbling incoherently while being slapped or beaten. Others showed the concrete sewer in which he and his bodyguards had sheltered after their convoy, trying to flee the besieged and ruined city of Sirte, had been hit by an air strike, Later, more graphic footage appeared to show one rebel fighter sodomizing Gaddafi with a stick. ‘What did I do to you?’ were among his last words, according to eye-witnesses. It was reportedly an eighteen-year-old from Misrata who fired the fatal shot into the side of Gaddafi’s head.” (Noueihed - Warren, 187) While Muammar Gaddafi may have done terrible things, this was not the way things should have been done. The protests had started out the same as Tunisia and Egypt but then somewhere along the lines it misshapen itself and reformed into something else. If they were following in the footsteps of Tunisia and Egypt then they should have proceeded with peaceful, non-violent protest movements. This kind of rage just illustrates that Libya isn’t truly ready to do anything but become an outraged mob of youths. This is not what should have happened and it proves little in the respect that Libya as a whole is ready to take itself onto something better than its corrupt leader had before. Neither side of the conflict is right in this situation, this shows that youths with technology can have great volumes of negative conclusions as well as positive conclusions. The two go hand in hand and are apart of the same coin.


We have seen some great outcomes from these Arab uprisings. Technology has undeniably played a key role in every one of the revolutions. The current technology however hadn't stopped there; technology has been ever evolving. It helped to shape where the revolutions took Egypt, Tunisia, and Libya and in turn technology helped to direct where and what the conclusions of these revolutions would be. However technology hadn't done this all on its own, it had all of its help from the savvy youths that knew how to properly utilize social networks, internet and wireless cellphones; hand in hand these two players orchestrated the revolutions. If there wasn't a huge population of outraged young Arabs much of this wouldn't have happened. A lot of positives came out of the relationships between the youth and the technology they utilized but at the same time a lot of negatives emerged as well. Libya was a central role to those types of outcomes and it needs to be understood as to why the events that followed happened the way they did. Tunisia, Egypt and Libya collectively have made progress thus far but have a long way to go. They have done what most thought to be impossible and out of reach; and yet here they are. Doing the impossible.  







Works Cited


1. Hellyer, H.A., and The Opinions Expressed in This Commentary Are Solely Those of H.A. Hellyer. "Egypt's Revolution on the Margins." CNN. Cable News Network, 25 Jan. 2014. Web. 13 Apr. 2014.


2. Sloan, Alastair. "Libya's Revolution "will Not Stop until We Have Freedom" - Index on Censorship | Index on Censorship." Libya's Revolution "will Not Stop until We Have Freedom" - Index on Censorship | Index on Censorship. Xindex, 27 Jan. 2014. Web. 13 Apr. 2014.


3. Castillo, Ana A. "The Arab Youth after the Revolution: Civically Engaged, Yet Not Empowered | United Explanations." United Explanations. United Explanation, 02 June 2014. Web. 13 Apr. 2014.


4. Gall, Carlotta. "Tunisian B-Boys’ Biggest Battle: Keeping Youths From Extremism." The New York Times. The New York Times, 16 Feb. 2014. Web. 13 Apr. 2014.


5. James Gelvin, The Arab Uprisings: What Everyone Needs To Know. (New York: Oxford, 2012).


6. Wael Ghonim. Revolution 2.0: The Power of the People is Greater than the People in Power. (Boston: Houghton Mifflin, 2012).


7. Lin Noueihed and Alex Warren. The Battle for The Arab Spring: Revolution, Counter-Revolution, and the Making of a New Era. (New Haven: Yale, 2012).

Art & Culture with a Graffiti Style



Art & Culture in the Middle East

Brandon Griggs


Middle Eastern culture has been sculpted through the centuries by art and in return art has been formed, shaped and translated by the history that it resides within. We have seen more traditional styles of art such as paintings with oils and water based paint supplies, we have also seen sculpture using clay and this extends to the architecture of the Middle Eastern World. It is in fact its own world, a place that has recently been actively seeking more involvement with the international world. With the revolts in many Arab nations happening back in the year of 2010, or more commonly known as the “Arab Spring” we see many Arabs outraged at the status quo of their respective nations. They cry out for change, they bleed for it, they sweat for it and most importantly and the most critical aspect is that most if not all are willing to die for change to occur. Many protest verbally and by occupying popular areas within their respective countries however others voice their opinions in a different light of color, or rather they voice themselves in a vast array of colors within our known spectrum. Graffiti artists in particular show vivid imagery of tragedies, political opinions etc. others thereafter are just trying to get their name out there for the sake of people recognizing their work as that artists. This is an age of rebellion in the Middle East and graffiti artists are actively playing an exciting, terrifying, expressive and life threatening role in it.

A man casually sprays different tones on a stone wall, picking up varying stencils that will over time become something that has the potential to evoke emotions of rage, love, hate and all the rest. The man seems to be finished and then packs up and is on with the rest of his day. He could be out to spread his art throughout the city but whose to say? This setting is Cairo, Egypt in the year 2011, after the revolution in Tahrir Square demanding Hosni Mubarak’s resignation. If we were back just a couple months prior the scene described above would have a much different presence. The man would most likely be spraying as quickly as possible as to avoid being caught by the police/government officials. Under Mubarak’s rule and in conjunction with the Ministry of Culture graffiti was heavily censored. However today artists have much more freedom to voice themselves through graffiti which predominantly depicts beautifully crafted murals and reflects their opinions on varying topics. Graffiti is still used to actively voice opinions on political issues in Egypt and in many, many other Arab Nations. “In the Egypt of today walls of the government building Mugamma, the bureaucratic arm of the former President's repressive regime, has become a canvas on which to make fun of him. … In some places the stencils have been adorned with devil horns, in others they bear the slogan, "who protects the tyrant?" In one he appears with his wife, both of their heads on the body of snakes.” (1, Gröndahl) There is a new sense of pride and confidence that radiates through Egypt, while it still has a long way to go and there are many problems that they face along the way. However the feelings of the people have become much more positive after the revolts within their nation. These graffiti artists voiced out all their emotions towards the regime that had oppressed them for such a long period of time.

‘It’s not just the authorities that pose a threat to street artists in Egypt though. Often, members of the public are opposed to graffiti too, declaring that it’s vandalism and/or offensive--’ (1, Downey) Not everyone who does graffiti is just doing it to do it, but rather most Arabs have a purpose and they know the consequences that come with their choice. A women in particular has some strange standings in public due to her graffiti art. Her name is Hend Kheera and she is a twenty-five year old and she is currently a structural engineer in Egypt. She has a lot of noteworthy works in the graffiti world but one stands out because of the story it provides.

‘One of her most well-known pieces was created in response to the trial of Samira Ibrahim, who took the government to court in August last year as a result of her strip-search by a military doctor after she and several other women were detained at a protest in Tahrir Square, then videotaped while the doctor violated them. Kheera’s provocative stencil was an outline of a woman, crossed out in red, with the caption, “Don’t touch. Castration awaits.”’ (1, Downey)

Hend Kheera has already had an unreal experience but still pushes onwards and ever forward with her graffiti. Hend Kheera does her work early in the morning so as to avoid confrontation from the general public. Given that graffiti isn’t always looked positively upon and also that she is a women doesn’t help the situation if she is caught. Hend Kheera takes risks doing what she does, she believes that a message needs to be sent to the public and she risks herself to send out these messages.

A couple years after all the big events had occurred we still see graffiti being done by many artists in and around the Arab Nations, but not all of the art is focused on revolutions against the regime per say. Rather some art is voicing out against their own peers and depicting their dissatisfaction with how they are treated; in focus, women.
This image was created by a female artist named Shamsia Hassani; she is a twenty-four year old Afghan female artist; she teaches at the Faculty of Fine Arts. Shamsia Hassani’s work shows women in burqas with light blue coloring and giving a light tonality to strict gender roles. Shamsia Hassani is considered to be one of the first women graffiti artists hailing from her country of Afghanistan. The images and free flowing strokes evoke feelings of free-flying and in conjunction with the light coloring and emphasis on blue these emotions are reinforced. Suppression is a recurring descriptive word that comes to mind when I look at these murals, her art style is simplistic and has great showmanship to her feelings and those of her peers on womens rights.







Another graffiti artist is Malina Suliman. Malina Suliman is a twenty-three year old Afghan women who shows her voice and struggles through her labors of art. Usually her signature pieces are those of skeletons that reside within a burqa. Malina Suliman has received many threats from the Taliban in reaction to her work. Strangely enough both Shamsia and Malina has strikingly similar art styles, utilizing blue as their central coloring factor with a similar theme to both. Though Shamsia Hassani’s vibes have a much more positive outlook compared to Malina Suliman whose women are portrayed in a more dark themed setting. Both are very expressive of the ideas they aim to portray and it is plain to see.




















































These are great examples of how variation is a great thing within a society, multiple perspectives on problems and issues is in part how we find resolution to them.

Keep in mind that great graffiti work is not just happening in Egypt but in many of the Arab Nations. Another artist to note is Sarah Al Abdali. Sarah Al Abdali is a twenty-two year old graffiti artist hailing from Saudi Arabia, she too is to be considered one of the first women graffiti artists in her nation. Sarah Al Abdali primarily utilizes stencils in her works and she uses her art to comment on the urbanization of the holy city of Mecca.

Egypt seems to be at the forefront of supporting women in graffiti art, this is not a direct action of theirs but headway is being made regardless. Egypt has made a lot of progress in graffiti and graffiti has been a central theme ever since the Arab Spring started in Egypt a few years back. Women as a focus have also started picking up the can and showing who they are and what they stand for and what they stand against in their respective societies. A group in Egypt titled ‘Women on Walls’ has sprung up and through this group many women have started to take a more active role. The movement was founded by Mia Grondahl a Swedish author and a women’s activist Angie Balata. This movement's goal is to empower Egyptian women through their graffiti works. It is still in its early stages and the group consists of twelve women thus far but aims to gain more followers as time progresses on.

These women artists all communicate their ideals through their graffiti art and effectively so. Graffiti is a great way to make sure that a lot of people see your work, whether they really understand what you are trying to say is one argument to be had. However if the work is thought provoking by itself and some sort of message is translated to the viewer then it is effective in its conception. Its very exciting to see more women and men taking to the streets and expressing their views, most people around the world (me including) had a stereo-type in mind that most Arabs do not really rebel through art. This is absolutely not true and these depictions are done everyday through many different mediums.





Graffiti art is influential, vivid and powerful. In these Arab nations graffiti surrounds everyone and is as much a part of daily society as eating and breathing is. Everywhere you turn you are most likely to find graffiti showmanship; commenting or vocalizing their views, ideas and perspective. When I say ‘their views’ I mean the views of men, women, children, the elderly and in part some politicians. This is an age full of constant change, turmoil and resistance. It is exciting as change usually is but with change and excitement also comes the fear of it and those who would oppose it. Graffiti is playing an essential role not just in revolutions in Arab countries but also in questioning the daily life norms of society. Graffiti is a new found voice and it is gaining strength every day.






Works Cited


1. McGILL, DOUGLAS C. "MIDDLE EAST ART THEFTS TIED TO INFLATED MARKET." New York Times, Late Edition (East Coast) ed.Jan 07 1986. ProQuest. Web. 10 Apr. 2014 .


2. Bishara, Shahad. "Women & Street Art in the Middle East." Women & Street Art in the Middle East. Street Art News, 02 Nov. 2013. Web. 10 Apr. 2014.


3. Gröndahl, Mia. "Middle East Monitor - The Latest from the Middle East." Middle East Monitor - The Latest from the Middle East. The Middle East Monitor, 27 Mar. 2013. Web. 10 Apr. 2014.


4. DOWNEY, MICHAEL. "The Writings on the Wall." Rolling Stone Culture. Rolling Stone, 03 June 2012. Web. 10 Apr. 2014.